Much preferred part two, some interesting reports sum much of it up and make interesting reading.
A sinking feeling set in pretty early on in The Sinking Of The Laconia (BBC2), right about the time no one on board the doomed transport ship turned passenger liner noticed the blonde with the German accent had a German accent. She didn’t even know all the words to We’ll Meet Again. Come on, in World War II, that was like not knowing all the words to Angels.
Read more: http://www.metro.co.uk/tv/reviews/85...#ixzz1ARDKTVrv
What an extraordinary story – more interesting than the most famous sinking story of all, because a U-boat is more interesting than an iceberg, especially a U-boat captained by a man who doesn't fit the Nazi stereotype and has a heart and a conscience. This is not just the story of a tragic sinking: it's that plus an amazing rescue that raised questions about humanity and morality and had implications for how the remainder of the war at sea was fought.
http://www.guardian.co.uk/tv-and-rad...-martin-clunes
In disaster stories, which this in effect was, you want them to get to the crisis as soon as possible. But here there was a long 45 minutes of set-up - including the inevitable sing-song of We'll Meet Again as the gentlemanly officer (Andrew Buchan) fell for the pretty widow (Franka Potente, so obviously German that it was hard to believe that no-one on board noticed) - before the U-boat appeared which torpedoed the ship.
What happened next was really the story: how the German captain, on seeing the survivors in the water, made the remarkable decision to take them on board. Though it contradicted the Nazi ideology, Commander Hartenstein (Ken Duken, an interestingly quiet actor) believed he was following the more ancient law of the sea. Tonight's conclusion, sadly, shows that war has no place for compassion.
http://news.scotsman.com/entertainme...-Of.6682298.jp
K.